Twelve tracks, each named for a person he was thinking about while making it. The Algeria-born, Paris-based artist behind the Palais de Tokyo retrospective treats sound the way he treats an image — a vector for memory, mostly the traumatic kind. Le Diouck and Mushy show up, PAN put it out, and he calls it a "musical object" rather than an album. The classification problem is the work.
THE MUSA FAMILY · HEIRWAVE
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